


His colors are subdued but lively, and much of the work suggest a paper-cut collage. Humans, mostly men, andanimals, especially horses, populate his art, and even in the abstracts, there is a hint of an eye, a wing, a presence just beyond the immediate first glance. The implication of story and the touch of subtle whimsy make his work accessible and inviting, yet the viewer is not hit with rigid answers. One is left with an oddly comfortable sensation of incomprehension.
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